Capitolo 69
projects, are also one of the best, if M. Viollet-she-Duc it is a truth
guide; but you will see one hundred roses, before or hard, and it is able
chooses as You among the flowers.
More interesting than also the great rose of the portal is the
I comment that same pink-motive is brought rotunda the church
in all of his/her whole system of fenestration. As one follow him/it, on
the out, one sees that all the windows are built on the
same pink-scheme; but the most curious setup is in the choir
in the church. You admire each some windows through a kind
of tunnel or telescope: an arc that widens out, the roses to the
end that resembles to "oeil-de-boeufs", "oculi." So curious it is this
setup that Viollet-she-Duc you/he/she has shown him under the head,
"Triforium", in sketches and sections that some one can study that
it likes; its interest to us is that this setup in the choir was
probably the experiment to which it tried a failure in Dame of Notre
Paris, and it conducted rash-out to the the old windows and replacing
those that are still standing. The rose didn't perhaps give enough the light,
even if the church to Mantes seems well illuminated, and equal to Paris
the windows of rose remain in the cruises and in a bay of the vase.
All this is introduction to the windows of Rentals but these three
churches open another riddle as one it learns, bit bit, some of
the questions for him to ask some Middle Ages and you forget. The church
towers to Mantes are very interesting, in and out; they is
evidently studied with love and he/she works from their draftsman; still their
doesn't have fleches. As happens him/it that Dame of Notre in Paris also has anybody
fleches, even if the towers, according to Viollet-she-Duc I am
done end in the full preparation for them? This double omission on the
part of the French architect seems very strange, because his
you are in rivalry with to Rentals you/he/she has ended as soon as his/her fleche when the architect of
Paris and Mantes were ending his/her towers (1175-1200). French