Mont-Saint-Michel and Chartres

Henry Adams

Capitolo 67

country. Any matter as hasty you/he/she can be the architectural tourist the,
border-line of the de of Ile Francia won't be crossed without
stopping himself/herself/itself. If he came down from the north or east, he would have
equally to stop,--one to Beauvais, or to Laon or Noyon, or
Soissons,--because there is an architectural douane to pass, and
the architectural baggage of one has to be open. Neither de of Dame of Notre
Paris neither Notre Dama de Rents they are rather intelligible unless one
you/he/she has seen de of Dame of Notre Mantes before, and it studied him/it in the sacred
sources of M. Viollet-she-Duc.

De of Dame of Notre Mantes is a sister to the Cathedral in Paris, "he/she built
to the same duration, perhaps from the same architect, and reproducing his
the general dispositions, his/her way of structure and some of his
details"; but the Cathedral in Paris has greatly been altered, this way
what its original setup is changed completely, while the church to
Mantes practically remains as it was, when both they were new around the,
per annum 1200. As almost as the dates can be guessed, the cathedral was
ended, above to his/her time, in 1170 and it was later soon
imitated on a smaller staircase to Mantes. The scheme seems to have been
unsatisfactory because of defects in the illumination, for the whole one
system of fenestration had been changed in Paris in front of 1230,
naturally to the great cost, since the changes according to
Viollet-she-Duc (articles "Cathedral" and "Rose", and allusions
"Triforium"), few went except away the unchanged earth-plan. To
understands the sketch in Paris of 1160-70 that they were a long advance
you give older plans, one has to come to Mantes;  and, reflecting that
the great triumph of Rentals was its fenestration that has to have
immediately state drawn after 1195, one can understand as, in
this triangle of churches only forty or fifty miles separately, the
architects, while looking at each other experiments, you/he/she was influenced,
almost from day to day, from the failures or the successes that they saw
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