Capitolo 29
Or he/she returned it further--the twilight of unplumbed
Of the infancy?--Anybody--a lot of recenter that that.
You know, without telling him my, as sometimes
A word or name it eludes Him, and you look for him/it
Through ghosts in march of shadow,--leaping to him,
Lying in attended for him to jump on him,
Weak traps that scatter for him of sense or sound:
Up to that, of a sudden, as if in a forest of ghost,
You feel him/it, sees him/it flash among the branches,
And knowing as soon as as, suddenly has him--
Well it was, so I followed down this music,
Glimpsing a face in obscurity, feeling a whine,
Days that you/they remember forgotten, humors exhausted,
Angles in light of the sun, puddles reflecting stars--;
Up to that, of a sudden, and least of all suspected ones,
The thing was clarified: and I remembered
One April afternoon, eight years ago--
Or was it nine?--any matter--you call him/it nine--
A room where the last of light of the sun was grown weak;
A vase of violets, fragrance in white curtains;
And, her who played the same thing later, while playing.
You played this motive. It is in the middle one of him
It broke away suddenly it, while making his/her hands
Fallen in his/her womb. You sat there so a moment,
With shoulders he bent, then it lifted on a rose,
A great white rose, wide it opened as a lotos,
And it pressed him/it to his/her cheek, and closed his/her eyes.
'You know--we have to end this--Miriam L' loves. . .
If she ever had to know, or also the diviner,--
What would it do?--Listening!--I am not absurd. . .
I am sure of it. If you had eyes for women,--
To understand them--what you have never had--
You would also know him/it. . . ' Then this interview went,
Half humorous, with low tones of pathos,
Half serious, frivolous mean. . . while his/her fingers, slightly,
Felt for this motive, played him/it and allowed him to fall,
You now notice singing note, now rope rope,
Sentences that repeat with some kind of pleasure. . .
It was it symbolic of the weakness of the woman
What her neither could you/he/she break him/it--neither does it conclude?