Capitolo 17
of him, that they can renew in them the taste of a country
life. From this he/she wants to tell them they are happy in each other, adored by them
children, adored by their servants and you/he/she are become the envy, or
rather the delight, of everybody that you/they know them.
As different to this the life of Fulvia is! You consider her/it
I marry as his/her assistant of edge, and it reputes the discretion and good person
housewifery as small national virtues inconvenient a woman of
quality. You think lost life of his/her his/her own family and desires
her out of the world when she is not in the ring, the theater,
or the sketch-room. You alive in a perpetual motion of body and
restlessness of thought, and it is not never easy in some one place when her
he/she thinks there is more societies in another. The lacking one of a work
the first night would be tormenting more to her that the death of a
child. You are sorry for the whole precious part of his really sex and calls
every woman of a prudent life, modest, retired, a poor-animate,
creature not shine. Thing a mortification is able him/it both to Fulvia, if
she knew that his/her setting her to see is but showing himself/herself/itself,
and what she grows despicable being evident!
I cannot conclude my paper without observing that Virgils it has a lot
touched excellently on this passion female for suit and show, in the
character of Camilla that, although she seems to have shaken away everybody
the other weaknesses of its sex, is described still as a woman in
this detail. The poet tells us, that after having done a great
butchery of the enemy, she unfortunately threw his/her eye on a Trojan,
who brought an embroidered tunic, a beautiful coat of mail with a
mantle of the most excellent reddens. "A gilded arc", it says him, "suspended on
his/her shoulder; its garment was buckled with a gilded clasp and his
head covered with a helmet of the same bright metal." The horsewoman
immediately singled out this they well-dressed warlike, being grabbed with