Capitolo 95
quietly; and here they lived for twenty-seven years, long after Mile
name had started to be famous in the history of the contemporary French
painting. A critic English of what it visited the stain of days
The greatest celebrity of mile, was surprised for finding the painter that him
you/he/she had come to see, while wondering aimlessly on the village in rustic suits, and also
wearing the _sabots_s or wood shoes that are in France the social one
mark of the working classes, very as the apron-cowl it used once to be in
the districts of country of remoter of England. Perhaps this was a little
of the affectation on the part of Mile--a kind of proud declaration of the fact
what despite the fame and honours he still insisted to the it counts
him a simple farmer; but in such case, it was, later everything, a very beautiful
and the harmless affectation indeed. Better seeing a man hammering himself/herself/itself
pertinaciously to his/her wood shoes, that turning back his on old
friends and the old associations in the days of his/her worldly prosperity.
To the life of Mile of Barbizon him so quietly moved on that there is no anything to
almost registers in him, safe a painted long list of portraits and a gradual
growth, not in popularity (for that Mile never it really reached to
all), but in the respect of the best judges with which you/they clearly brought
it finally, first you raise, then comforts, and finally comparative wealth.
Now mile was able to paint better such subjects as the settled one, and him
him intensely thrown in his/her job with the whole fervour of his
serious and poetic nature. It is probable that anything is the subject that him
undertaken, he knew whether to face him/it so that it became instinct with his
just feeling excellent for the life he saw around him. In 1852 he painted his
"Fertilizer of the propagation of the man." In himself, that is not a very elevated or
beautiful occupation; but what Mile saw in him it was not the man the
fertilizer--the to get tired himself/herself/themselves, human being grieving himself/herself/itself which he/she works and