Arts and Crafts in the Middle Ages - A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance

Julia de Wolf Gibbs Addison

Capitolo 80

flat original. The trial as described by Theophilus it is as it follows:
"Composes the niello in this way;  takes pure silvers and divides
it in equal parts, adding to him a third part of pure copper,
and taking yellow sulphur, breaks him/it very small... and when You
you/he/she has liquefied the silver with the copper, you uniformly mix him/it with
coal, and it immediately pours in him lead and sulphur." This niello
pasta is made then in a baton, and heated until "it burns: then
with another forceps, long and it becomes bald, holds the niello and you rub him/it
all on the places that you desire to do black, up to that the sketch
is full, and transporting him/it from the fire, face what it smooths with a
I file flat, until the silver it appears." When Theophilus has ended
his/her directions, he adds:  "And he takes the great care that no further job
it is in demand." To smooth the niello, he directs us for "to clean him/it
with a stone of damp, until you/he/she is done everywhere bright."

There are the various accounts of as Finiguerra that was a worker
in niello in Florence, it discovered from his it intends the steel art
engraving. It is only probably a legendary account, but it is
it always said as one of the apocryphal histories when the origin of
stamping is discussed, and you/he/she cannot be here out of place. Maso
Finiguerra, a Florentine had engraved only the dish for his famous
niello, a Pax what time you/he/she will be seen in the Bargello and it had
fills him/it in with I enamel him/it fluid that was being standing that waits
until you/he/she should be dry. Then, according to of the authorities, a
piece of paper blew on the surface of damp on that, later attentively
removing him/it, Maso founded his/her sketch you/he/she was thrilled;  others the state that
it was through the servant you/he/she is placing a cloth of damp on him, that
the principle to stamp from an engraved dish was suggested.
In every case, took Finiguerra the suggestion, is said, and it did a
impression on paper, rolling him/it, as one would do with a corrosion
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