Arts and Crafts in the Middle Ages - A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance

Julia de Wolf Gibbs Addison

Capitolo 14

it, and serious on them dragons or animals or birds or leaves--in
whatever way that you can desire. But on the top of every place of handle a
few waxes, you round off as a slender candle, mean a finger in length,...
this wax has called the funnel.... Then takes some clay and cover
attentively the handle, so that it digs him/it some sculpture
is filled on.... Later puts these soils near the carbons,
what when they is become warm you can pour out the wax. What
results, you melt the silver,... and it threw in the same place
from where You it poured out the wax. And when they is become cold removes
the clay." The solid silver handles are found in, one as soon as
need says.

In to throw in the "cire perdu" draws, Welcome Cellini warns
You to look at himself/herself/themselves from so that not you break Your crucible--"in the moment in which you have
Your fused silver exactly", he says, "and you/he/she is pouring him/it in the
you shape, crack goes Your crucible and everything of Your job and time and
pains are lost!" He starts winding him/it in strong cloths.

The process of job of repousse is also a lot of the same to-day as it
you/he/she has always been. The metal is climbed on on cement and the sketch
partly stricken in from the out;  then the cement is melted out,
and the sketch treated in more detail from the inside. Theophilus
it tells us whether to get ready himself/herself/themselves a silver vase to be stricken with a sketch.
After having given a recipe for a kind of pitch, he says, "Fusion this
composition and he/she fills the vial to the top. And when you/he/she is become
cold, withdraws... anything that you desire, and taking a slender supple
tool and a small hammer, sketches that that you have withdrawn
around him slightly striking." This trial is practically, on a
greater staircase, what Cellini describes as that of "trinkets." Cellini
you praise Caradosso over all others in this job, to say that "he, had been as soon as
in the this a lot of to get some gold so it equalizes entirely ended, that I never knew
a man to strike Caradosso!" He says as main point this equality of
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