Capitolo 4
better. It is in to paint he/she remembers that the best is never in the eye, for
the eye can only perceive, the eye can only direct; and the best is
never in the hand, for the hand you/he/she can only measure, the hand is only able
movement. In to paint the best it comes from the emotion. A human being can miss
eyes and it is not anybody the more poor man in character; a human being can miss hands
and it is not anybody the more poor man in character; but every whenever in the life a lacks of person
some great emotion, that person is the poorest in everything. And so in
painting can fail her/it after the eye has earned every necessary knowledge,
You can fail after Your hand has received every necessary training, or
because nature has denied Him the foundations of the great feeling, or
because, having these foundations, you have not succeeded in doing them the
foundations of Your job.
"But among one hundred the models there would not be one to wake up this way
emotion. Among the thousand of people we know indeed in the world,,
as few mixes better in us our, force better us to ours! It is the rarest
experiments of our lives that we meet a man or a woman that literally
it drives us to the realization of that that we am really and we can really do
when we do better ours. Thing us every more need in our careers is that that
you/he/she can free inside of us that imprisoned of the whole life which the decree is to remain
a prisoner up to that another set it I free--our better. For us we can put never our
better free from our his/her own hands; that must always have done from another."
They was listening to him/it with a frightened recognition of their intimate
selves. He followed to drive house his/her point on the extraneous one:
"I will introduce you, then a model that over all the others
You has worked with it will free in you Your more excellent selves. It is a
rare opportunity. Don't thank me. I didn't find her/it. The storms of the life
you/he/she has blown her violently against the walls of the school of art; we owe