Capitolo 64
it is convinced of the true his/her seercraft, she will be able to warn them of that that
is coming!--The short one 'the stichom[^y]thia'[**TR: This is a y with a
circumflexes, not a superior index.] (line for dialogue of line), giving that in, it frightened
you whisper with things that cannot be speak really, leaves the history of
Cassandra anchors a mystery. Then its self-control breaks and the power of
the God irresistibly sweeps on her; cf. under, ll. 1256 ff.; where it
it comes to her as a visible form of fire, a thing not not common with
clairvoyant modern.
P. 56, l. 1252, you art fallen far indeed astray]--because they had said
"that that _man_"
P. 56, l. 1265, these garlanded ribbons this personnel of prophecy.]--Cf.
_Trojan Women_, ll. 451 ff., p. 34.
P. 60, ll. 1343 ff., The to whine of death; the hesitation of the Elders.]--This
scene is often condemned or it equalizes envoy in ridiculous; I think, through
incomprendendo. We knew that the Old Men were defenseless, as "dreams
wandering in the daytime." It is essential to the history that when the crisis
theirs comes that want you/they will be found. But them neither they are foolish neither
cowardly; every expression is in himself disposition and characteristic, but
suggestions are separated. One would like to know if Aeschylus did them
you confusedly speak together, as you/he/she would certainly be done on the modern stage,
or if the grandiose conventions of the Greek tragedy preferred that each
orator should end his says. In some case, what happens is, that after a
moment or two of confused suggestions the Elders determine to break in the
Building, but as them you/they are climbing on the footsteps the great doors I am flung they open
and Clytemnestra compares them, while sustaining on the dead bodies of
Agamemnon and Cassandra.
The understood illusion is that the Elders have entered the Building and
Discovered Clytemnestra. But, as the mechanical setups of the Greek
stage is not equal to this sudden change of scene, and since then also it
, also with perfect apparatus, has an effect that interrupts fatiguing a,