Capitolo 6
Aeschylus doesn't assume none of the equipments slowwest playwrights to do her/it
interesting. He admits, clearly, any approach to a love-scene; he uses anybody
sophisms; but he makes us see through the eyes of Clytemnestra and touch
through his/her passions. The agony of silent prayer in that, if mine
the conception is correct, we see her/it to us before, it helps to interpret its discourses
when they comes; but every discourse needs nearby study. You challenge doesn't speak
sincerely or it shows his/her true feelings until Agamemnon it is dead; and then her
it is practically an angry woman.
For me I think here that there is a point that has not been observed. It is
that Clytemnestras you/he/she is conceived as being really possessed by the Daemon
of the House when she commits his/her crime. His/her affirmations on p. 69 are not
empty metaphor. An accurate study of the scene after the murder will show
what she appears "possessed" before and almost alienated with triumph, suddenly
dominating the Elders and leaving them any power to answer. Then gradually
unnatural strength dies out of her. The action that was an ecstasy before
of delight one "affliction" it becomes (the pp. 72, 76). The strength that has challenged
the world points out and changes in a greed for the peace. You has done her
job. You has purified the House of his/her madness; now allow her to go away and
long live out his/her life in quiet. When Aigisthos appears, and the scene suddenly
you/he/she is filled with to wrangle of common men, Clytemnestra is grown weak in a
from a lot of face to keep silent from that she only emerges at the a lot of end of the play to
you pray again for the Peace, and, stranger than everybody, to send forth the invocation: "Impediment
us not the stain us with blood!" Squirt him/it some blood of his/her husband it was
visible on his/her face to the duration. It had her in her trance-as is indeed
forgotten, or it did her, even then not the touch that the particular blood to be a
stain?
To some readers it will seem a kind of the irrelevance, or at least a