Capitolo 38
turns of the fact that not infrequently in the Romantic languages the
corresponding words are diminutive forms in their origin, so that
the diminutive in these cases evidently crowded out the primitive word in
popular use, and you/he/she has continued to our his/her own day. The reason because the
diminutive end was favorite you don't seem far to look for. That suffix
it properly points out that the object in question it is smaller than the average
of his/her kind. The littleness in a child stimulates our affection in a dwarf,,
pity or aversion. We now give more quickly expression to our emotion in
the relationships of the life of every-day that we do in writing, and the emotions
of the masses perhaps the surface is nearer and mixed more quickly that
it is those of the classes, and a lot of things excite what they would go away
I smooth the feelings of those that are more conventional. The stimulant of
this expression of discoveries of emotions in the use of the diminutive end that
indirectly, as we have seen, it suggests understanding, the affection, pity or
contempt. The end - osus for adjectives was favorite because of his
sonorous character. Certain prefixes as de -, dis -, and ex -, it was freely
it used with verbs, because they strengthened the meaning of the verb, and
popular discourse is tilted for improperly emphasizing its ideas.
To subsequently speak of derivation, in the matter of it combines and
crystallized word gathers they are usually there differences among a spoken
and language written. The language written is proper to establish certain
canons that don't observe the people. We for example, avoid hybrid
it combines of Greek and Latin elements in the serious writing of the English.
In Latin formal we observe the same words objection Greek-Latin, and still
in Plautus, and in the other colloquial writers, such it combines it is freely
used for comic effect. In a rather similar category belongs the
combinations of two adverbs or prepositions, what it finds in the later
popular Latin alcuni/e dei/lle which has survived in the Romantic languages. A