Capitolo 42
a deep impression on their readers--and with reason--for two poems,
more certain than the immortality, because certain to give a pleasure that
you/he/she cannot grow old style, doesn't exist in our literature. Each indeed
marked an advance on that whole English descriptive or didactic poets
verse had contributed making so far humble life and rural scenery
attractive--unless we omit the _Allegro_ of Milton and the passages
in the _Seasons_ of Thomson. Neither it was only it the suits workmanship of
Grey and Jeweler that their popularity had done. The genuineness of
the pathos in the two poems was over suspicious, even if with Grey it
it was mixed with a melancholy that was native to him. Even if
their authors had not been brought in personal and near relationships with
the joys and the pains gave with, there was no anything of the feeling in some,
unworthy sense, in the treatment of both poet of his/her theme. But the result
of their studies of the life of humble village to produce completely anything was
distinguished by the treatment of the realist. Their thing they saw and they remembered
you/he/she was passed through the mean that transfigures some imagination of a poet
before it reached the reader. The ended product as the honey of
the bee, was due to the poet as to the flower from which he had
deduced the subject before.
It generally seems to have been presumed when the _Village_ of Crabbe
it appeared, that was of the nature of a replica to the poem of Jeweler,
and the fact that Crabbe quotes a line from _The Deserted Village_,
"Passing rich on forty pounds for year", in his/her his/her own description of the
priest of village, would seem to confirm that impression. But the opening
lines of _The Village_ sharpen to a different origin. It was rather during
those first years when the father of George read to tall voice to his/her family the
pastoral of the so defined Augustan they grow old of poetry English that the boy
it was stricken with the irreality and the consequent unhappiness of first the
conventional portraits of the rural life. It is in the lines of opening of _The